added testing files

bins.csv

@@ -0,0 +1,4 @@
+1,writing,that,own,Sub-class,had been,often,other
+2,a,is,them,the,are,an,and a
+3,to,you,essay,generally,gives,author,serious
+4,definition,students,have,on,the,a piece,

tester.txt

@@ -0,0 +1,540 @@
+
+University of North Texas Psychology Clinic
+
+
+
+Client Notes for 0000
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Name:
+
+
+
+
+6642
+
+
+
+
+
+
+ID:
+
+
+
+
+
+6642
+
+
+
+
+
+
+Type:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Progress Note
+
+
+
+
+
+Counselor:
+
+
+
+Date and time:
+
+09/05/2014 02:00 PM
+
+
+
+Yyy
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Narrative:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+The word essay derives from the French infinitive essayer, "to try" or "to attempt". In English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays; he used the term to characterize these as "attempts" to put his thoughts into writing.
+
+Subsequently, essay has been defined in a variety of ways. One definition is a "prose composition with a focused subject of discussion" or a "long, systematic discourse".[2] It is difficult to define the genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference". These three poles (or worlds in which the essay may exist) are:
+
+The personal and the autobiographical: The essayists that feel most comfortable in this pole "write fragments of reflective autobiography and look at the world through the keyhole of anecdote and description".
+The objective, the factual, and the concrete particular: The essayists that write from this pole "do not speak directly of themselves, but turn their attention outward to some literary or scientific or political theme. Their art consists of setting forth, passing judgment upon, and drawing general conclusions from the relevant data".
+The abstract-universal: In this pole "we find those essayists who do their work in the world of high abstractions", who are never personal and who seldom mention the particular facts of experience.
+Huxley adds that the most satisfying essays "...make the best not of one, not of two, but of all the three worlds in which it is possible for the essay to exist."
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Signatures:
+
+
+
+
+
+
+
+
+Yyy 09/08/2014
+
+
+
+
+
+
+
+Sss, PhD 09/10/2014
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Name:
+
+
+
+
+6642
+
+
+
+
+
+
+ID:
+
+
+
+
+
+6642
+
+
+
+
+
+
+Type:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Progress Note
+
+
+
+
+
+Counselor:
+
+
+
+Date and time:
+
+07/15/2014 06:00 PM
+
+
+
+Yyy
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Narrative:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+While Montaigne's philosophy was admired and copied in France, none of his most immediate disciples tried to write essays. But Montaigne, who liked to fancy that his family (the Eyquem line) was of English extraction, had spoken of the English people as his "cousins", and he was early read in England, notably by Francis Bacon.[6]
+
+Bacon's essays, published in book form in 1597 (only five years after the death of Montaigne, containing the first ten of his essays),[6] 1612, and 1625, were the first works in English that described themselves as essays. Ben Jonson first used the word essayist in 1609, according to the Oxford English Dictionary. Other English essayists included Sir William Cornwallis, who published essays in 1600 and 1617 that were popular at the time,[6] Robert Burton (1577–1641) and Sir Thomas Browne (1605–1682). In Italy, Baldassare Castiglione wrote about courtly manners in his essay Il Cortigiano. In the 17th century, the Spanish Jesuit Baltasar Gracián wrote about the theme of wisdom.[7]
+
+In England, during the Age of Enlightenment, essays were a favored tool of polemicists who aimed at convincing readers of their position; they also featured heavily in the rise of periodical literature, as seen in the works of Joseph Addison, Richard Steele and Samuel Johnson. Addison and Steele used the journal Tatler (founded in 1709 by Steele) and its successors as storehouses of their work, and they became the most celebrated eighteenth-century essayists in England. Johnson's essays appear during the 1750s in various similar publications.[6] As a result of the focus on journals, the term also acquired a meaning synonymous with "article", although the content may not the strict definition. On the other hand, Locke's An Essay Concerning Human Understanding is not an essay at all, or cluster of essays, in the technical sense, but still it refers to the experimental and tentative nature of the inquiry which the philosopher was undertaking.[6]
+
+In the 18th and 19th centuries, Edmund Burke and Samuel Taylor Coleridge wrote essays for the general public. The early 19th century, in particular, saw a proliferation of great essayists in English—William Hazlitt, Charles Lamb, Leigh Hunt and Thomas de Quincey all penned numerous essays on diverse subjects, reviving the earlier graceful style. Later in the century, Robert Louis Stevenson also raised the form's literary level.[8] In the 20th century, a number of essayists, such as T.S. Eliot, tried to explain the new movements in art and culture by using essays. Virginia Woolf, Edmund Wilson, and Charles du Bos wrote literary criticism essays.[7]
+
+In France, several writers produced longer works with the title of essai that were not true examples of the form. However, by the mid-19th century, the Causeries du lundi, newspaper columns by the critic Sainte-Beuve, are literary essays in the original sense. Other French writers followed suit, including Théophile Gautier, Anatole France, Jules Lemaître and Émile Faguet.[8]
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Signatures:
+
+
+
+
+
+
+
+
+Yyy 07/22/2014
+
+
+
+
+
+
+
+Sss, PhD 07/22/2014
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Name:
+
+
+
+
+6642
+
+
+
+
+
+
+ID:
+
+
+
+
+
+6642
+
+
+
+
+
+
+Type:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Progress Note
+
+
+
+
+
+Counselor:
+
+
+
+Date and time:
+
+05/01/2014 11:00 AM
+
+
+
+Yyy
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Narrative:
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+Steele was born in Dublin, Ireland, in March 1672 to Richard Steele, a wealthy attorney, and Elinor Symes (née Sheyles); his sister Katherine was born the previous year. He was the grandson of Sir William Steele, Lord Chancellor of Ireland and his first wife Elizabeth Godfrey. His father lived at Mountown House, Monkstown, County Dublin. His mother, of whose family background little is known, was described as a woman of "great beauty and noble spirit".
+
+His father died when he was four, and his mother a year later. Steele was largely raised by his uncle and aunt, Henry Gascoigne (secretary to James Butler, 1st Duke of Ormonde), and Lady Katherine Mildmay.[1] A member of the Protestant gentry, he was educated at Charterhouse School, where he first met Addison. After starting at Christ Church, Oxford, he went on to Merton College, Oxford, then joined the Life Guards of the Household Cavalry in order to support King William's wars against France. He was commissioned in 1697, and rose to the rank of captain within two years.[2] Steele left the army in 1705, perhaps due to the death of the 34th Foot's commanding officer, Lord Lucas, which limited his opportunities of promotion.
+
+In 1706 Steele was appointed to a position in the household of Prince George of Denmark, consort of Anne, Queen of Great Britain. He also gained the favour of Robert Harley, Earl of Oxford.
+
+
+
+
+
+
+
+
+
+
+
+
+
+Signatures:
+
+
+
+
+
+
+
+
+Yyy 05/05/2014
+
+
+
+
+
+
+
+Sss05/05/2014
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+